9filmframes:

2 Films by Jim Jarmusch

Dead Man, Down By Law

9filmframes:

3 Films by David Lynch

Blue Velvet, Eraserhead, Mulholland Drive

Film editing with Albert Brooks (by Lonniepics)

unhistorical:

Saul Bass: Film Title Sequences— It’s a Mad, Mad, Mad, Mad World, Anatomy of a Murder, Something Wild, North by Northwest, Edge of the City, Psycho, The Man With the Golden Arm, Goodfellas, Cowboy, Spartacus, Bunny Lake Is Missing, Vertigo

cinephilearchive:

Another set of stunning on-set photos from everyday_i_show: On the Set of Annie Hall

Woody Allen: Fascinating documentary made for French TV in 1979.

This fascinating documentary captures Allen not long after his Oscar success with Annie Hall and the release of his follow-up movie Interiors. Made for French TV in 1979 by Jacques Meny, and actress/journalist, France Roche, this documentary takes the neurotic King of Comedy through his childhood, early career, and success as writer filmmaker. Though the voice over is French, Allen’s interview is in English. —Paul Gallagher 

Film-making is about having something to say—something that can only be said in a film and not a short story, or a play, or a novel. That’s how Woody Allen described his movies—it’s the best way for him to express and explore his ideas, his feelings, and well, because he has ‘to do something for a living.’ It was June 1979, Woody Allen was said to be hiding in Paris. His latest film Manhattan, had opened in New York to overwhelming critical acclaim. As the reviews filtered back to his hotel suite, Woody talked about the movie and film-making to Barry Norman, for the BBC’s Film ‘79.

As Allen explained to Norman, Manhattan was inspired by a dinner conversation with Diane Keaton and cinematographer, Gordon Willis, where they discussed the idea of making a film in Black & White. ‘And as we talked about it, gradually a story spun out in my mind about it. And, you know, it could be anything, it could be a sudden anger over something or, the impulse to want to dress as a pirate. You know, any one of those things could do it.’

But why Manhattan? asked Norman.

‘I live in Manhattan and wouldn’t think of living anywhere else, really,’ said Allen, before going on to explain it’s a great place to live—‘because you know you’re alive.’ —Paul Gallagher

WGA 101 Greatest Screenplays: Annie Hall (1977). Here is the script for Annie Hall by Woody Allen and Marshall Brickman. Enjoy the read! [pdf, Shooting Script, 1977]. (NOTE: For educational purposes only)

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broccoliwolf:

Stanley Kubrick - One Point Perspective

(Source: cinematicfantastic)

Movie vs. Bloopers

(Source: fybacktothefuture)

Un Chien Andalou (1929)

(Source: filmploitation)